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Title: XRMust - Your favorite media on immersive storytelling (XR).
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Ahead of the new edition of CPH:DOX Inter:Active, we spoke with curator Mark Atkin about this year’s lineup and the theme Hypervigilance, which frames an exhibition that confronts the collective anxiety of a society on high alert amid digital saturation and pervasive surveillance. Cover: THE PLEDGE by Daniela Nedovescu and Octavian Mot Documentaries have a […]
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Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center for the Performing Arts in New York, it is increasingly treated as a programming language—one that can expand access, strengthen community ties, and give artists new ways to stage emotion, memory, and presence. In this conversation with […]
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Film Fund Luxembourg occupies a singular position within the European ecosystem: a powerful public instrument, backed by a structured audiovisual policy, that has gradually expanded its scope toward immersive creation without weakening its historic foundation. In this interview, Guy Daleiden—its director—looks back at the logic guiding this evolution: supporting innovation wh...
Le Film Fund Luxembourg occupe une place singulière dans l’écosystème européen : un instrument public puissant, adossé à une politique audiovisuelle structurée, qui a progressivement étendu son périmètre vers l’immersif sans fragiliser son socle historique. Dans cet entretien, Guy Daleiden – son directeur – revient sur la logique qui guide cette évolution : accompagner l’inno...
Museums are no longer asking whether immersive experiences “can work” in their walls. The real question is whether they can work at scale, with mixed audiences, tight operational constraints, and an institutional standard of meaning that goes beyond spectacle. BLACK CATS & CHEQUERED FLAGS is a strong case study precisely because it was conceived as […]
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