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Sidious – Malefic Necropolis (Review)

This is the fourth album from UK black metal band Sidious. From 2014’s symphonic blackened death metal Revealed in Profane Splendour, to 2019’s reinvention as the raw black metal darkness of Temporal, and then 2022’s slice of contemporary blackened might Blackest Insurrection, Sidious always put out something I want to listen to. Each album so …


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Stabbing – Eon of Obscenity (Review)

This is the second album from US death metallers Stabbing. Eon of Obscenity is the 31-minute follow up to 2022’s Extirpated Mortal Process, and it’s a real beast. Stabbing have put together a record that showcases their abilities in no uncertain terms. This is brutal death metal done very right. This is brutal death metal, true …


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Urne – Setting Fire to the Sky (Review)

This is the third album from UK metallers Urne. Urne are a great band. 2021’s Serpent & Spirit was a fantastic debut, and 2023’s follow up A Feast of Sorrow wasn’t too shabby either. After finally catching the band live at the end of last year supporting the mighty Orange Goblin, I was more than ready …


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MØL – Dreamcrush (Review)

MØL are a post-black metal band from Denmark and this is their third album. With 2018’s Jord and then 2021’s Diorama, MØL have established themselves as quality purveyors of sharp, shiny post-black metal. Now, with the 44-minute Dreamcrush, they consolidate their position, offering up their most polished and well-rounded album to date. Dreamcrush is MØL …


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Gorrch – Stillamentum (Review)

This is the second album from Italian black metal band Gorrch. Across 37 minutes Gorrch rage with furious intensity, and do so with a slithering dissonance that’s born of arcane venom. Stillamentum is vicious, but not without nuance or layers. In fact, there’s a quite a lot under the surface of the claustrophobic nightmarescape that …


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