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We Rave You: We Rave You | Electronic Dance Music Magazine

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ARC Music Festival 2026 expanded with unforgettable highs and lessons learned [Event Review]

ARC Music Festival 2026 celebrated Chicago‘s house music roots across its first four-day edition while an ambitious expansion tested the limits of Union Park. ARC Music Festival 2026 returned to Chicago‘s Union Park over Labor Day Weekend for its biggest edition yet, expanding from three to four days for the first time in its six-year …


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Ferry Corsten reveals hidden aliases including Elektrika and A Jolly Good Fellow

Ferry Corsten reveals lesser-known production aliases from his early career, including Elektrika on Tsunami and A Jolly Good Fellow on Blue Records.

Ferry Corsten reveals hidden aliases including Elektrika ...


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Jeff Mills’ Tomorrow Comes The Harvest announces new album ‘The Forbidden Planet’ via Axis

Jeff Mills' Axis Records will release 'The Forbidden Planet', the second album by Tomorrow Comes The Harvest, on 20 November — 12 tracks of electronic-acoustic improvisation.

Jeff Mills’ Tomorrow Comes The Ha...


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Armin van Buuren goes vinyl-only again at UNVRS Ibiza: Watch

Armin van Buuren delivers another vinyl-only set at UNVRS Ibiza, continuing his special all-analogue residency chapter across the season.

Armin van Buuren goes vinyl-only again at UNVRS Ibiza: Watch


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Seven production lessons from Kevin Parker on how Tame Impala made ‘Deadbeat’

Kevin Parker sat down with Tape Notes to break down how he wrote, recorded, and produced Tame Impala’s ‘Deadbeat’, and the conversation is unusually specific about method. Here are seven things worth taking from it. 1. He recorded start to finish, drums first, with almost no looping Parker deliberately abandoned the workflow he had spent …


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