UKF

With a rich history of collaboration between the two artists, Addison Groove and Sam Binga have joined forces once again to put together a debut collaborative album that fuses a flurry of club sounds including chicago house, detroit techno, electro and juke – inspired by the Midwest, whilst hitting the faster 140 to 150 bpm mark. This being t...

The one thing I cannot do without, cannot LIVE without, is my Wurlitzer EP200 electric piano.

I bought this for £120 in 1996 in West Kensington shortly after we started Hospital Records. I jokingly called the early D&B that I was making back then Loungecore. But it wasn’t a joke, it actually was loungecore. And the Wurly fit right in. When I p...

From the humble beginnings of making music on a PS2 to scoring bangers for massive multiplatform titles like Rocket League, Rameses B (Rameses Kevin Booth) has been shaping the liquid and bass landscape thanks to his sonic prowess for well over two decades.

With no fewer than 200 releases across benchmark labels like Monstercat and Liquicity, his mu...

Some songs don’t belong to a solitary moment. They outgrow it, twisting and climbing like a beautiful vine, until they drift off into the universe somewhere, collecting new meanings with the passage of time. Finding people exactly when they’re needed. Music has this strange way of wandering off. An artist might write it, but give it enough time and it’ll find its own people, ...

Ayyy UKF crew!

Affording tough gear wasn’t really amongst my options before, so I saved up for Ableton about 14 years ago and rocked with stock plugins since. Turning every button I could find without having any understanding of production or devices. It was a very organic and playful process for the longest time. I do most of my work with Abl...