There is a photocopy somewhere, creased, faded, of unknown provenance, that started all of this. Martin Brendecke was eight years old when his mother made it for him at the public library. It claimed to be “based on a 15th-century German style.” He couldn’t stop looking at it. The angular shoulders, the condensed rhythm, the flat baseline that seemed to defy the very logic of...
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Type blog title: Zetafonts · the Italian type foundry