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Top Docs: Award-Winning Documentary Filmmakers

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"Birds of War" with Janay Boulos & Abd Alkader Habak

What started out as a transactional exchange between Janay Boulos, a BBC journalist, and Abd Alkader Habak, a local activist and cameraperson in Aleppo during the Syrian war, later evolved into a mutual curiosity. Over time, texting, voice memos and phone calls became the currency of a deepening relationship... and eventually the two married and became film partners living in...


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Academy Awards Breakdown 2026 with Clayton Davis

Joining us for the 5th year in a row, Variety’s Chief Awards Editor Clayton Davis is back on “Top Docs” to break down this year’s Oscar races for Best Documentary Feature and Best Documentary Short and to offer his predictions for who will walk away victorious on March 15th. With another close race on our hands, you don’t want to miss Clayton’s analysis and final picks.

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"Children No More: Were and are Gone” with Hilla Medalia

 

Protestors silently bearing the pictures of children killed in Gaza: they hold no other signs, chant no slogans.  

 

Hilla Medalia ("Leftover Women", "Prisoner X") speaks to Mike about her Oscar-nominated short documentary, “Children No More: Were and are Gone”, explaining how this act held weekly in Tel Aviv–where the images of the ...


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"Armed Only With a Camera" with Craig Renaud

While covering the devastating effects of the Russian bombing of Ukraine, documentary filmmaker/journalist Brent Renaud was shot and killed by Russian forces on March 22, 2022. He was the first foreign-born journalist killed in the war. Now, Brent’s filmmaking partner and younger brother Craig has made the harrowing documentary “Armed Only With a Camera: The Life and Death of...


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"Perfectly a Strangeness" with Alison McAlpine

 ”Three donkeys are in an unnamed desert and they discover an abandoned astronomical observatory.  And the universe.” 

That’s how Alison McAlpine (“Second Sight”, “Ghostmen of Skye”, "Cielo") describes her Oscar-nominated short documentary “Perfectly a Strangeness” to Mike.  In this wordless film, McAlpine uses the “fundamentals of cinema”– sound, moveme...


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