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Title: Thoroughly Good Classical Music - Classical music isn't difficult. It's just music.
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Mark Simpson’s Piano Concerto shows you everything he loves. Loud, ambitious, and all at once.
Simpson’s Piano Concerto is a tantalising prospect, not only for the buzz around a deferred premiere but, more importantly, because the score both guarantees and rewards. Simpson writes like the teenage friend from the early nineties who eagerly showcased his CD coll...
The Santa Cruz Symphony’s music director is programming the season, conducting the concerts and, it seems, designing the posters. The results say more about the orchestra than he may intend.
Santa Cruz Symphony conductor Daniel Stewart will be pleased with the unexpected reach of the orchestra’s marketing campaign for its 2026-27 concert season. Its programme of con...
Chromatica’s new principal conductor is a likeable lead with an endearing conducting style. Permission granted to demand more.
Oliver Cope opened his first concert as Chromatica Orchestra’s new principal conductor with a programme of Herrmann, Korngold and Shostakovich. The venue – a theatrically lit Battersea Arts Centre with its bleached brickwork – promised a hun...
The NDR Radiophilharmonie Hannover played Brahms 2 at Cadogan Hall like a one-take studio recording: nothing left to chance, yet nothing over-rehearsed.
Prokofiev’s Classical Symphony is sprightly and crisp: ruthless efficiency cloaked in effortless continental charm. The first violins are dry, precise, almost chilling, and pull focus onto the bassoon ostin...
Gavin Higgins: It’s a clarinet concerto. It’s just a very big clarinet concerto.
When I worked in radio, I’d sometimes find myself in a studio with an author promoting a new book. What struck me was how much energy they brought to it — so much that it barely mattered what the book was about. I wanted to read it anyway. When you’ve poured that much o...