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An especially strong cross-section of English-language cinema is represented by Criterion’s April 2026 lineup, which sees Point Blank get a 4K disc that should do justice to the downright avant-garde colors and textures of John Boorman’s masterpiece, and almost undoubtedly the greatest Donald E. Westlake adaptation. John Singleton’s Hood Trilogy—Boyz n the Hood,...


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The new All You Need Is Kill—director Kenichiro Akimoto and Studio 4°C’s animated reimagining of the time-loop novel that inspired Doug Liman’s Tom Cruise vehicle Edge of Tomorrow—asks: what makes this day different from all others? Its response, as a work with two decades of alternate versions in other mediums hanging over it, is to stake out an identity f...


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As Brazilian cinema enjoys a major spotlight with The Secret Agent, I’m Still Here, Apocalypse in the Tropics, The Blue Trail, and beyond, it’s prime time to discover more treasures from the country’s cinematic history. Considered one of the most significant films of the post-Cinema Novo period, Carlos Diegues’ Cannes selection Bye Bye Brazil was recently r...


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NYC Weekend Watch is our weekly round-up of repertory offerings.

Museum of Modern ArtA yearly highlight of New York’s repertory programming, To Save and Project continues with films by


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Before his Dominic Sessa-led Anthony Bourdain biopic Tony arrives later this year, Matt Johnson has another film opening in theaters. Expanding on his web series and TV series, Nirvanna the Band the Show the Movie premiered on the festival circuit last year to much acclaim and now the time-travel mockumentary adventure will get a release on February 13. Ahe...


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