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TheatreCat: TheatreCat | Libby Purves and friends review
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WORTH SINGING ALONG TO?
Ask ourselves in all honesty: did we all schlepp out to Richmond for press night because national-treasure Dame Maureen Lipman, at 80, is doing eight show a week on tour before the West End, as doughty as any McKellen? Or because it is good to see her onstage again and in something lighter after the haunting, profound solo p...
THE ELDERLY ENDGAME
We are seated in a big arena, on three sides of a care-home sitting-room, clearly secure – staff tap door keypads – designed for the containment of dementia cases.. Two kindly careworkersare introducing Linda Bassett’s Joan, a well- spoken new resident dropped off by her anxious, nervy widowed daughter Lynn (Rosie Cavaliero) wit...
A SWELL PARTY, EVENTUALLY
We “Call the Midwife” fans all suspected there was more pizazz to nurse Trixie than bicycling round Poplar in the 1950s, and indeed Helen George always was a dead classy, RAM- trained musical-theatre professional. In the vast dour Barbican hall she’s a golden breeze of a presence, as happy in showy absurdities as in the famous plaintive be...
HOME AGAIN IN TRIUMPH
Can it really be nearly twenty years since this show about WW1 galloped into world theatre history on this stage? A maverick experiment with two life-size puppet horses (and let’s not forget the goose) it has been seen by nine million people in a dozen countries and several languages, including Mandarin. Its star Joey met Quee...
THE SAD SERIOUS COMEDY OF DEATH
A Devon cottage kitchen, opening to a tangled spring garden: beyond this idyll a semi- abstract tangle of branches around a great circle of sky: a hole , perhaps a portal. For in a back room, unseen, an old man is nearing the end of his life’s journey. In such times a kitchen can fill with family and visitors: weary ...