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TheatreCat: TheatreCat | Libby Purves and friends review

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A GHOSTLESS DICKENS TREAT FOR CHRISTMAS 

This is wonderful: a three-hander adaptation by Abigail Pickard Price, with the Guildford Shakespeare Company. They’re well up to the new-vaudeville style of the 1980’s Reduced Shakespeare, only with better costumes. Three deft, fast-moving actors play everybody, with instant hat-swopping and the hurling...

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LADIES WHO LURCH

The Lord Chamberlain took a bit of handling to let this play’s louche  presumptions of extramarital liaisons be flaunted onstage: and one public morality campaigner shouted from the box at its premiere when he did let its suggestion of female sex-before-marriage creep pas them .  It shows us two wives of ten set...

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  A BEAR WHO DESERVES HIS STATION

This could have been awful , a desecration of the children’s favourite which became a national icon of reassurance when he sat down to tea with the late Queen. But Jessica Swale’s book, tweaked from the originals and the first film, full of self-referential jokes, and larded with Christmas jokes (“I...

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GRIEF, GUILT, CONSCIENCE

     A great bright disc of moon overhangs the old tree in the storm, as it falls in the tumult of sound that could be war.   It’s 1948:  Arthur Miller’s America scarred by the losses of war.    Sometimes the big will be the sun over the Kellers’ morning garden where bluff old Jo...

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ABSURD, TRANSCENDENT, JOYFUL

       Forget Ancient Greece and the films inspired by the suitors of royal Parthenope, this is Handel in comic-opera mood (one can’t always be writing Zadok or Messiah). He hurled himself cheerfully into the absurd, and Christopher Alden’s  joyfully barking-mad  production from 2...

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