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Take a sneak peak into the final rehearsals of  FEMOID. as they get ready to open at Explosives Factory next week. We were laughing, we were joking, we were girls. FEMOID. confronts the dark, growing presence of misogyny in contemporary society. Combining text, voice-over, and projection, the show draws from verbatim incel forum board posts and merges them with in-yer-face thea...

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In today's Backstage Blog, we spoke to Iris Warren, playwright and performer in FEMOID. , which follows up it's successful 2025 Perth season with a run at Explosives Factory next week before heading to Sydney next month. FEMOID. confronts the dark, growing presence of misogyny in contemporary society. Combining text, voice-over, and projection, the show draws from verbatim ince...

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The Port Arthur Massacre serves as a backdrop to this extraordinary chamber piece about rebuilding after tragedy. The four stories told in this delicate, poetic and quintessentially Australian text steer away from sensationalising the Port Arthur massacre and focus on the effects of loss and violence on people and their fragile journey towards healing.  The play is set ten years...

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The mass shooting at Port Arthur occurred on 28 April 1996 nearby and at the former penal colony Port Arthur, a tourist attraction and popular picnic location in Lutruwita/Tasmania. The perpetrator, Martin Bryant, killed 35 people and wounded 23 others, in the deadliest massacre  in modern Australian history. The attack led to fundamental changes in Australia’s gun laws. The  Na...

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The future is NOW at Explosives Factory this week, as Helene Tardif brings her exposing contemporary performance to our stage after an acclaimed season last year. Have a look at the gallery of shots from the 2025 season. Covid, lockdown, birthdays. The one decides to create a virtual reality to evade this dying world. His way to fight pollution, discord, inequality. The older g...

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