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The Third Eye

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After a lot of thought, I’ve decided to begin migrating The Third Eye from WordPress to Substack.

Running a WordPress site has become expensive, and Substack offers a simpler alternative. It’s easier to use, far less costly, and built for the kind of writing and community The Third Eye thrives on. Substack also offers paid options, though all Third Eye content

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Josh Martin’s new record, Western Mind, isn’t trying to depict the American West so much as channel it.

This is the imagined West, the internal West, the one that flashes in memory and myth. And there’s plenty of myth surrounding the West, of course.

Released by Seattle’s Eiderdown Records, the album arrived yesterday in digital and a limited-run...

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Firefriend has never been a band that uses psychedelia as escapism. The São Paulo group is more interested in distortion as a worldview, with noise as resistance. On Fuzz, their newest full-length, they take that ethos and burn it to the wick.

The new album is one of their loudest, densest, and most immediate statements yet. It’s a half-hour-plus of scorch...

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It’s hard to beat a live performance. However, some live albums can still capture the magic effectively, even a year after the concert occurred. The DWLVS’ (Dire Wolves Just Exactly Perfect Sisters Band) latest digital release Live DWLVS (Milwaukee, WI – May 11, 2024) is a clear example.

A celebration of improvisational psych rock, the album grounds itself...

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Glad Tidings, a new Vancouver-based label that launched over the summer, chose a fitting first release: Waste Knot from guitarist and composer Alex Archibald. Recorded outdoors along the West Coast, Waste Knot invites listeners into a world where the natural environment becomes an uncredited collaborator.

Across the record, Archibald plays with rad...

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