Duncan Mackay spent the 1970s at the keyboard of British popular and progressive music, often invisibly, yet seldom far from its most defining moments. MacKay first built a reputation in South Africa which brought him back to England where he joined Steve Harley and Cockney Rebel, just as ‘Make Me Smile (Come Up and See Me)’ reached number one, and it was at Abbey Road during...

Rat Scabies needs little introduction as the thunderous drummer of The Damned. His collaborator in One Thousand Motels, Chris Constantinou, has had a career that has taken him from the studio with Chas Chandler, to the Live Aid stage at Wembley with Adam Ant, and into the recording booth with Sinéad O’Connor. Rat and Chris describe how they first met through The Mutants, a co...

Jason Barnard is joined by music writer and artist Chris Wade to talk about The Kinks Are the Village Green Preservation Society. They discuss how the US tour ban pushed Ray Davies inward, the extraordinary run of Kinks singles, and what it means to preserve an England that probably never existed in the first place. Davies kept returning to the village green and its ...

Andrew Sandoval talks about THE KINKS – ALL DAY AND ALL OF THE NIGHT, The Day-By-Day Story Pt 1: 1940-1971, the new book he co-authored with the Doug Hinman. This is the most comprehensive record of the Kinks’ early career ever assembled. Andrew and Jason Barnard cover what it actually took to document The Kinks, from chasing down Shel Talmy’s original studio invoices (Pye Re...

Lou Gramm discusses his long-awaited album Released and how it brings unfinished songs back to life. Gramm also opens up about Foreigner’s induction into the Rock and Roll Hall of Fame, the politics that delayed their recognition, and the emotional moment of finally taking the stage to accept the honour. The podcast explores the rekindling of his relationship with Mi...