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Pedro João Santos reports from the latest edition of Portugal’s premiere festival for experimental music, where stellar sets from Noémi Büchi, Tygapaw, Marta Salogni and more lead the way
Malcolm Pardon and Gustaf Broms, photo by Adriano Ferreira Borges / Semibreve
A startled Jocy de Oliveira looks out at the sea: it’s well past time the grand piano shou...
Angus Batey looks back 35 years at the 360-degree attack of one of the most creatively independent yet offensive hip hop albums ever made. First published October 2011
Classic albums are supposed to be celebrated, but Death Certificate doesn't permit unqualified responses. It's a record made by a young man as talented at needling his listeners as he was at const...
Leo Chadburn's latest work expands outwards from a seventeenth-century manual of folk dances to a kinetic exploration of human movement, from St Vitus' chorea to raving at Castlemorton Common
English Dancing Master is a dance album, but not in the sense you would usually associate with the term. There is no “succession of repetitive beats” (the phrase used by th...
Maria W Horn
Melting Pillars of Snow
Melting Pillar of Snow is a dense exploration of time and decay that feels more like a static monument than a living listening experience
Melting Pillars of Snow by Maria W Horn
On Melting Pillars of Snow, Swedish composer Maria W Horn attempts to map the relentless passage of time across five expansive c...
From 80s synthpop and 90s trip hop through to mischievous, glitched-out electronics, Andy Stott talks through 13 records that hold significance to him ahead of the release of his new album, Late Loop
Across a career that now spans more than two decades, Andy Stott’s name has become synonymous with a style of electronic music that is patient and understated. Earl...