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The New Yorker - Photo Booth

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Ann Hermes spent six years documenting American newsrooms, from Juneau to St. Louis, forming a witty and elegiac portrait of local journalism in action.

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The Victorian photographer has gained a cult following for her intimate and surprising images of women.

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Daniel Pullen offers beautifully composed and striking images of the destruction that climate change has brought to his lifelong home.

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Paolo Roversi’s studio portraits push the Polaroid process to its limits.

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A collaborative work by a photographer, a poet, and an artist, “The Harlem Book of the Dead,” newly reissued, tells stories through funerary portraits.

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