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The New Yorker - Photo Booth

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The New Yorker - Photo Booth

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The Singaporean photographer Nguan spent a decade capturing New York via the Staten Island ferry.
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The mid-century publications didn’t need to announce themselves as gay, even if they had been able to. Their readers understood the necessity of balancing discretion and seduction.
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Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore.
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As the transatlantic alliance falters, a major exhibition of U.S. photography offers Europeans a dizzying array of perspectives.
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Cig Harvey’s “Emerald Drifters” is a rallying cry to exist in our bodies.
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