The New Yorker - Photo Booth

Kent Nishimura’s photographs capture the backstage labor that allows the Trump show to go on.

For two decades, Emily Shur, who shot for glossy magazines in the early two-thousands, has been sitting on a trove of images from a bygone era of fame.

In “Night Shift,” his first New York show in eight years, the photographer brings his travelling bacchanal home to the city’s streets.