A collaborative work by a photographer, a poet, and an artist, “The Harlem Book of the Dead,” newly reissued, tells stories through funerary portraits.

Eli Durst’s images of activities that instruct and influence children—R.O.T.C., school plays, cheer practice—resist conformity.

The photographer presents the Black woman as an icon of withholding.

For more than a decade, Jeremiah Murphy has been trying to capture the beauty of a deeply American sport.

Fifty years after its horrors, we know that the press helped to turn public opinion against the conflict. That’s because war is hell, and hell is photogenic.