The New Yorker - Photo Booth

In “People of the 20th Century,” the photographer set out to document every type and profession in the fading epoch of prewar Germany.

Brian Finke’s photographs document riders breaking through the constraints of the city’s crowded landscape—and showing off while they do.

In “Mawmaw,” the photographer Anthony Wilson pays tribute to West Virginia women who, after one tragedy or another, care for their children’s children.

In “Snow,” the photographer evokes the paralysis of a region defined at once by beauty and bloodshed.

Hurst captured the country’s culture—from public rituals of the cult of Santa Muerte to scenes from everyday life—with no small amount of homoeroticism.