The New Yorker - Photo Booth

A new book captures the hard-headed and hearty few who have kept the movement alive.

Jerry Hsu captures the city’s manic extremes, with photographs of overturned cars, collisions, and a bank building ablaze.

The photographer, who played bass for Hole and the Smashing Pumpkins, captured a moment in which one generation’s subculture became the next generation’s mainstream.