The New Yorker - Photo Booth

The photographer, who played bass for Hole and the Smashing Pumpkins, captured a moment in which one generation’s subculture became the next generation’s mainstream.

In Patagonia, los puesteros look after other people’s livestock for not very much money, and sometimes go months without seeing anyone else.

A new exhibition at the International Center of Photography presents the designer precisely as he wanted to be seen.