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The Last Mixed Tape

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Bad Bunny, the Super Bowl, and America’s Culture War

Bad Bunny's Super Bowl halftime performance announcement has ignited backlash from conservatives, alongside an alternative faith-based show. The Last Mixed Tape explores the resulting cultural divide about identity and American values ahead of the event.


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ICE Uses Pop Music to Normalise Violence in America

essay and video exploring how ICE uses pop music and cultural aesthetics to normalise state violence and why artists are beginning to refuse.


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Why Women in Music Are Labelled "Difficult” — Gender, Power, and the Music Industry

This week’s Last Mixed Tape episode examines how women in music, like Sinéad O’Connor, are labeled “difficult” when expressing authenticity, reflecting cultural patterns around gendered expectations in artistry and political expression.


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Capitalism Colonises Culture: Napster, Streaming, and the Devaluation of Music

The video discusses the transformation of music into commodified content under capitalism, tracing developments from Napster to streaming platforms like Spotify. It highlights the resulting devaluation of music as art and its impact on artists, audiences, and cultural integrity.


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David Bowie’s Blackstar: Death, Legacy, and the Art of Disappearing

David Bowie's Blackstar is viewed not as a farewell but as a powerful artistic statement confronting mortality. It transforms decline into art, preserving the artist's legacy beyond death.


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