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This release marks the beginning of a new recording partnership with Harmonia Mundi. On paper, these two works make strange bed fellows, other than the fact that both were premiered in 1913. But in the CD booklet Petrenko provides an introductory note that lays out connections between them.
class="wp-block-group__inner-container is-layout-constrained wp-block-grou...There are over 200 available recordings of Mahler’s symphony No. 2 (“Resurrection), and here are two more, played by orchestras that have rarely recorded href="https://theclassicreview.com/tag/mahler/" title="Mahler on The Classic Revi...
Johan Dalene’s seventh BIS release couples two Romantic warhorses—Mendelssohn’s Violin Concerto and Bruch’s Violin Concerto No. 1—with a less familiar twist: Vaughan Williams’s The Lark Ascending in...
I first heard Karina Canellakis’s work in 2023, reviewing her Bartók album with the Netherlands RPO on Pentatone. The recording impressed me, as did her more recent re...
