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1975 was a landmark year in cinema for so many different reasons. The decade embraced the idea of experimentation of boundaries and the is arguably the decade which gave birth to the more mainstream aspects for the video nasties and shocksploitation cinema, not to mention the sub genres within those confines.
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The alien invasion subgenre of science fiction movies comprises some of the most celebrated titles in film history. Early examples include 1951’s The Day the Earth Stood Still, 1953’s The War of the Worlds, based on H.G. Wells’ 1898 novel of the same name, and both Invaders from Mars and It Came from Outer Space from that same year. They are widely credited with popul...
Quentin Tarantino is something of an enigma. One of the most loved and inimitable film makers working in film, he’s always said he would make 10 films and then hang up his directing boots. He’s made 9, and his 10th was seemingly on the horizon until fairly recently, but he’s since scrapped those plans and gone back to the drawing board. He has however, finally release...
There are several things that spring to mind when one thinks of film noir: Fedora-wearing private eyes, conniving femme fatales, hardboiled voiceovers, shadowy alleyways, extended flashbacks, and that palpable sense of doom hanging in the air. But if this genre (or is it a genre?) has survived more than fifty years past its supposed expiration date, it’s because it ke...
As far as the crux of a plot goes, there’s always one thing that drives a narrative like no other, revenge. The list of films dealing in this type of stripped back narrative is numerous, and some of them are good at hiding behind other types of genres; and yet at their core, there’s nothing more to it than a good old-fashioned helping of pure revenge.
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