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At one point, Alan Ritchson’s nameless character in Netflix’s War Machine – not to be confused with the similarly-titled 2017 satirical war comedy starring Brad Pitt — lays bare the scenario that they (the Army Rangers) have “No comms, no flares, no firearms”. They are injured, outnumbered and comple...


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What a quantum leap Maggie Gyllenhaal has made from a low-budget indie drama, The Lost Daughter, to an expensive genre movie in The Bride! The latter only marks her second directorial feature, but Warner Bros. is confident enough to grant her an already-costly $80 million budget before the movie ballooned to ...


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The ghost of John Carter returns to haunt Andrew Stanton in his second live-action feature, fourteen years after the 2012 sci-fi epic, which cost over $300 million bombed at the box office. It was a rare misstep for Stanton, whose credits working for Pixar Animation Studios have been stellar, from writing the groundbreaking <...


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It is rare to encounter a feature film that renders the brutality of lived experience with the force of actuality. Fewer still derive their power as much from what we hear as from what we see. Kaouther Ben Hania’s The Voice of Hind Rajab is an audio-visual reconstruction of a world poised at the edge of catastrophe. Set against the procedural urgency...


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In Sirat, a disparate group of travelers attempt to cross a desolate stretch of the Sahara, a landscape so vast and indifferent it seems to exist outside ordinary time. What begins as a trek across hostile terrain gradually assumes the shape of a moral passage. Governed by chance, and fate, unpredictable forces preside over their progress that erodes...


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