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The City by Fernand Léger presents urban life as an interlocking arrangement of geometric shapes, bold colors and fragments of figures. Created in 1919, this composition layers upright forms, curved bands and structural details across a tightly organized surface. Black and white passages give contrast to areas of red, yellow, green and blue.
The overlapping forms sugge...
The Lapin Agile by Maurice Utrillo depicts the Montmartre cabaret and a narrow street climbing beside it. In this composition from around 1913, warm roofs and pale walls meet leafy trees, a white fence and small figures along the lane. The rising street leads the eye past the buildings, giving the compact scene depth and a quiet sense of movement.
Utrillo builds the at...
Horse Fair by Max Pechstein brings horses, people and village buildings together in a lively outdoor scene. Painted in 1910, it places the animals across a bright foreground, with figures moving among them and yellow buildings rising behind. Dark outlines and broad areas of green, blue and warm brown organize the busy gathering.
The repetition of the horses’ bodies cre...
Haff (Lagoon) by Max Pechstein turns a waterside landscape into a vivid arrangement of blue, yellow, red and green. Painted in 1909, the scene looks across a curving shoreline toward a broad stretch of water. Warm rooftops and dark trees anchor the near bank, while long bands of color carry the eye toward the distant horizon.
Pechstein uses strong contrasts and energet...
Church of Saint-Aignan by Maurice Utrillo centers on a pale church beneath a broad turquoise sky. Painted around 1914, the scene pairs the church’s pointed roofs and round clock with neighboring houses and the open space in front. Soft whites, muted blues and warm earth tones give the architecture a weathered character, while the dark windows bring definition to the light wal...