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Sculpture's title: Sculpture - A publication of the International Sculpture Center
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Eureka and Benecia, California
The Barn Gallery and Arts Benecia
collective grief—in memoriam packs more than 100 boxy forms made of handmade paper onto a low, nine-by-12-foot plinth to create an aggregation of structures that recall the apartment buildings and office towers of every midsize city around the world—all of them similar, no two exactly alike...
The human hand’s ability to touch, display, gesture, and manipulate materials forms the core of Coming to Grips, Juan Ortiz-Apuy’s current installation at YYZ Artists’ Outlet in Toronto. Via a diverse selection of objects, all made by the Canadian-Costa Rican artist and arranged to create a host of illuminating juxtapositions, the installation urges us to reconsider ...
Though Nataliya Zuban is steeped in the traditional ceramic production of her native town of Opishnia (known as the ceramic capital of Ukraine), she applies her deep understanding of material and process in strikingly unconventional ways as a window into natu...
Oxford, U.K.
Daphne Wright’s unfired clay, plaster, and jesmonite sculptures are a particularly inspired choice for the latest edition of Ashmolean NOW, a series of exhibitions showcasing contemporary responses to the museum’s historical collections.
The post...
Tehran-born, London-based Reza Aramesh describes his choice of subject matter as “necessary for the moment we are in.” Neither protest not political crusade, his figures of anonymous men explore violence in its most banal and insidious forms.
The post href="https://sculpturemagazine.art/rebellious-subjects-a-conversation-with-reza-aramesh/" target="_...
