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In a country where curation itself has long carried economic value, the identities of Tokyo's record stores are inseparable from the owners' personal obsessions.

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Laurie Anderson has created a rare live album worth listening to from start to finish, both for the music and all the interstices.

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House of Cards looks like a million francs in Techniscope and Technicolor and plays like a picture Hitchcock forgot to make.

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Chris Potter always plays jazz with a combination of respect for its traditions and an urge to push the sound forward. It is an audible balance on this new recording.

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Weird Nightmare's take on classic power pop is hard-rocking and catchy, but the songwriting is rarely distinct enough to rise above the level of pastiche.

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