Please turn JavaScript on
Pointe Magazine icon

Pointe Magazine

Click on the "Follow" button below and you'll get the latest news from Pointe Magazine via email, mobile or you can read them on your personal news page on this site.

You can unsubscribe anytime you want easily.

You can also choose the topics or keywords that you're interested in, so you receive only what you want.

Pointe Magazine title: Home - Pointe Magazine

Is this your feed? Claim it!

Publisher:  Unclaimed!
Message frequency:  0.58 / day

Message History

Just before a performance during Tulsa Ballet’s 2023 run at Jacob’s Pillow, artistic director Marcello Angelini suddenly felt the stakes rise. As audience members settled into their seats, he spotted Kevin O’Hare, artistic director of The Royal Ballet, among them.

A year earlier, Angelini had seen a performance at The Royal Opera House’s Linbury Theatre. What he’d r...


Read full story

The past few weeks have brought another exciting round of ballet career news—check out the latest farewells, appointments, promotions, and more in your May 2026 roster roundup.

Promotions and Appointments

This month, The Australian Ballet artistic director David Hallberg promoted Davi Ramos to principal onstage following the company’s performance...


Read full story

For its latest production, Ballet RI is reimagining a play inspired by an infamous New York murder case. In 1927, Long Island resident Ruth Snyder conspired with her lover, Henry Judd Gray, in the brutal killing of her husband, Albert Snyder. Ruth Snyder’s execution by electric chair—the first to be photographed—rocked Long Island and beyond. Gray was executed shortly after S...


Read full story

BalletMet dancer Grace-Anne Powers remembers her excitement when she learned that choreographer Jennifer Archibald was coming to set a new work. But during Archibald’s full-company casting call, Powers felt suddenly wracked with nerves. “I completely lost my focus,” she reme...


Read full story

There’s nothing like witnessing Takumi Miyake fully unleashed onstage. In Alexei Ratmansky’s Serenade After Plato’s Symposium last fall at New York City’s Lincoln Center, the American Ballet Theatre soloist blazed onstage in a large circle of chaîné turn...


Read full story