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In her translator’s preface to The Narrow Road of Oku, a new edition of Matsuo Bashō’s seminal haibun diary published by New Directions in June, Meredith McKinney notes that though it is possible to read the work “as a straightforward, episodic travel diary of a sev...
At the start of Deborah Levy’s My Year in Paris With Gertrude Stein, a hybrid-genre book merging biography with fiction, published by Farrar, Straus and Giroux in June, the first-person narrator finds a silver lining to her friend’s cat going missing, noting that the drama “was a relief f...
Jane Kenyon’s poem “Three Songs at the End of Summer” features three portraits of late summer, each evoking its own distinct sounds, moods, and atmosphere. The first section of the poem begins with “a second crop of hay” and “five gleaming crows,” continues through the sights and sounds of summer ca...
When asked in an interview published on Creative Independent whether there is a common thread throughout the works that he’s translated from various languages, Max Lawton mentions that there is usually “an element of transgression, whether that’s on the level of language or ...
Kane Parsons’s debut horror film Backrooms revolves around the discovery of a labyrinthine parallel universe of mysteriously empty rooms and hallways which are entered through the basement of a furniture store. The concept originates from “Backrooms” website threads in which users post an...