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Two recent additions to Camera Raw make skin retouching significantly faster: an automatic blemish removal tool with separate controls for moles and freckles, and a vectorscope-based skin tone indicator for correcting off-color skin. Both features work non-destructively inside a smart object workflow, so no pixel data is

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Smooth skin and natural texture are not opposites — achieving both at once is the mark of a professional retouch. This workflow covers blemish removal, flyaway hair cleanup, dark under-eye correction, and eye brightening, all while keeping the skin looking like skin. Watch the Video Practical Tips These key points

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Camera Raw 18.5 introduced an automatic blemish removal tool that does something previous solutions rarely managed: it removes skin imperfections while preserving the underlying skin texture. It also distinguishes between temporary marks and permanent ones like moles, giving you separate controls for each. Watch the Video Practical Tips These

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The portrait slice effect splits a single image into offset vertical bars, creating the illusion of a displaced or fragmented face. The entire technique relies on layer masks and a lesser-known Photoshop shortcut called step and repeat — no filters, no AI, no destructive edits required. Watch the Video Practical

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Photoshop now offers two distinct approaches to removing skin blemishes automatically. The Camera Raw Filter includes a dedicated Blemishes option that analyzes and cleans skin with a single checkbox, while Generative AI fills a face selection with clean, texture-consistent results using a simple text prompt. Each method has clear

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