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Learn how to add realistic perspective and depth to acrylic landscapes using Carla Bosch’s shape-first approach. Includes guidance on sketching, toned canvas, and leading the eye for an atmospheric Yosemite mountain scene.

NOTE: In the full-length art workshop


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Preview the newest issue of PleinAir Magazine with the Editor’s Letter:

Permission to Fail

I...


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Rita Cirillo:

What are you currently working on?

Rita: For the last year or so, I have been winging a large commission. Using elements from my photo references, I am attempting to build a cohesive image. So far, I haven’t found a satisfactory middle ground, so I will continue experimenting with differen...


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Fen Rascoe: Whether painting in Plein Air or in the studio, I strive to simplify my subject into a non-rendered and uncomplicated three-dimensional artistic tale that allows the viewer to actively jump in and become part of the experience.

I paint alla prima or wet on wet all in one session using an extended limited palette, and my style could be ...


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The following landscape painting demonstration is by Trey Finney, whose work stresses high contrast and a high key.

Landscape Painting Demo: Building and Taking Away

Step 1: Trey Finney usually tones his canvases, but not a deep tone. In fact, his canvas at this stage often looks like a Cy Twombly painting nearly completed, although he doesn’t think al...


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