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Damien Warren-Smith takes (nearly) everything off to play a flightless bird whose natural habitat might be in your very own lap.

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Her new album, “Good Grief,” mourns friends including her Broadway co-star Gavin Creel, and her musical adaptation of the Meg Wolitzer novel “The Interestings” is about finding a different kind of fulfillment in a creative life than you’d once imagined, which Bareilles knows something about.

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This season is rich with sharp productions, like Bess Wohl’s and Branden Jacobs-Jenkins’s Pulitzer winners, Cole Escola’s “Oh, Mary!” and the hip-hop musical “Mexodus.”From left, Harry Lennix, Alana Arenas, Jon Michael Hill, Kara Young, Glenn Davis and LaTanya Richardson Jackson in the 2025 Broadway production of “Purpose.”

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On New York stages this season come the new musicals “Galileo” and “Wanted,” a “Shuffle Along” reunion with Audra McDonald, and Tom Hiddleston in “Much Ado About Nothing.”

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For his final year as artistic director, Antoni Cimolino directs “The Tempest,” and like Prospero, he understands how to wield acts of kindness.

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