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Paul Lightfoot and Sol León brought their blend of stretched balletic line and idiosyncratic gesture to London with a new work inspired by daily ballet class exercises.

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New York City Ballet ended its season on a positive note with “Coppélia,” but the repertory tipped too heavily into unimportant ballets.

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The choreographer took a barefoot leap for modern dance 100 years ago. Her influence continues to reverberate.

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The choreographer Benjamin Millepied had an unusual brief: To create two short works for the championship matches at Roland Garros.

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With “Proof of Life,” Kiyon Ross wants to make his alma mater, the School of American Ballet, proud — and the dancers feel special. That’s what he would have wanted.“You can make a shape, but can you dance?” Kiyon Ross said he was drawn to dancers who are expansive and fill the space.

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