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No Depression: Roots Music and Culture Journalism

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With his seventh album, Watterson Hall, William Clark Green blends old-country stances and new-country sounds, addressing such subjects as love, partying, and feeling down but keeping your chin up. Throughout the fifty-minute set, Green acknowledges the inevitability of hardships while insisting that life is a gift we should never take for granted. His songwriting sk...


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Conceptual pieces and performance can easily go awry. It takes quality songwriting and a real performative commitment to not only tell a story, but to imbue it with intellectual and emotional resonance. On its new album Of Ghosts and Gods, transatlantic folk duo David Berkeley and Ben Parker, aka Sons of Town Hall, bring a decade’s worth of musical exploration and co...


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Brit Taylor casually strings together eleven songwriting masterclasses on her latest album, Land of the Forgotten. The album is dedicated to the small victories and near-misses of Appalachia, which Taylor has traversed as a professional singer since she was a child. Forgotten lovingly pays homage to Taylor’s East Kentucky roots with fiddle, mandolin, a refre...


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For the shortest month of the year, February was still chock-full of great new roots music. Spotlight artist Big Richard blessed No Depression with a


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For its 33rd edition, the Wintergrass Festival (February 19-22, 2026 at the Hyatt Regency Hotel in Bellevue, Washington) pulled out all the stops to celebrate traditional roots music and its evolution. 

The fest's self-proclaimed theme was “Rad Trad! Listen, Learn, Belong.” With performances by Bruce Molsky, Darol Anger, Missy Raines, Brittany Haas, Melissa Carper,...


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