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New York Times - Art & Design

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With clean lines and a pared-down palette, Joe Spiro’s London apartment is a refuge from his glittery day job.

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How a movement went from dreamworld to vanguard to establishment of its own.

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Nicole Eisenman’s latest exhibition builds on a long tradition of artists using their work to speak out against fascism and oppression.

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The items were taken in the late 19th century from what was then called the Dutch East Indies. Indonesia had been trying to get them back for decades.A skull cap, right, part of a set of prehistoric bones known as “Java Man,” was returned by the Netherlands to Indonesia on Wednesday.

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On the High Line Plinth next spring, the Vietnam-based artist will resurrect an ancient Buddha, destroyed by the Taliban, as a vision of resilience.

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