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Title of New York Jazz Workshop: "Music School for Jazz Studies | New York Jazz Workshop"
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As a jazz instructor in New York City, I help students answer one of the most common questions I hear: Which guitar should I play? The answer depends entirely on the music you want to make. Four main types of guitars serve musicians across every genre (acoustic, classical, electric, and bass), and each produces a fundamentally different sound through distinct con...
As a jazz educator in New York City, I’ve taught saxophone to hundreds of students over the past two decades. Some arrive with grand ambitions. Others just want to play their favorite song. Regardless of the goal, every successful saxophonist I’ve worked with shares one trait: they respected the fundamentals from day one. This guide walks you through exactly how to play s...
Learning to read sheet music can be intimidating for many aspiring musicians. Those five lines stacked on a page can look impenetrable at first glance. Here’s what I tell every student who sits down for their first lesson: you’re not learning a foreign language from scratch. You’re learning a system that follows logical rules. Once those rules click, the whole musical wor...
As a jazz educator and performer in New York City, I’ve spent decades studying and teaching modal jazz to students at all levels. This approach represents a fundamental shift in how we organize improvisation and composition. Instead of moving through functional chord progressions, modal jazz uses musical modes as sustained harmonic environments. Grasping what modal jazz i...
I’ll never forget watching a student’s face light up during their first jazz ensemble session. “Wait,” they said, eyes wide, “the drummer changed what everyone was playing.” Exactly. That’s when you realize that what instruments are used in jazz goes far beyond naming them—these instruments create conversation, tension, and that unmistakable swing that makes your foot tap...
