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Site title: New Liturgical Movement

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The Ambrosian Lenten Litanies
The duomo of Milan as it stands today is the result of a project which began in 1386, to replace the two cathedrals which had hitherto served the see of St Ambrose. The “winter church”, as it is still called in Ambrosian liturgical books, was the smaller of the two, dedicated to the Virgin Mary, and used from the Third Sunday of October, the feast of its Dedication, until Holy S...

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"Let My Prayer Rise as Incense” by Dmitry Bortniansky - Byzantine Music for Lent
In the Byzantine Rite, the Divine Liturgy is not celebrated on the weekdays of Lent, but only on Saturdays and Sundays; an exception is made for the feast of the Annunciation. Therefore, at the Divine Liturgy on Sundays, extra loaves of bread are consecrated, and reserved for the rest of the week. On Wednesdays and Fridays, a service known as the Liturgy of the Presanctified Gif...

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Medieval Art and Liturgical Objects at the Musée de Cluny in Paris (Part 5): Ivories
This is the fifth post in our series of Nicola’s photographs of an exhibition recently held at the Musée de Cluny in Paris, titled “The Middle Ages of the 19th Century - Creations and Fakes in the Fine Arts”. In this post we focus on various kinds of objects made of ivory. In ancient times, ivory was often used to make the diptychs from which were read the names of persons to be...

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An Interesting Fact About Today’s Lenten Station
Several years ago, I read a very interesting book called Mourning into Joy: Music, Raphael, and Saint Cecilia, by Thomas Connolly. (Yale Univ. Press, 1995). The principal subject is Raphael’s painting The Ecstasy of St Cecilia, but it also contains a great deal of information about devotion to the Saint, at whose basilica the Lenten station is held today. I am here paraphra...

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On the Roman Mass, Don’t Take Your Cue from Fortescue
Separated by over 100 years, with the advantage going to FiedrowiczThis article is a combined effort of Gregory’s and mine. - PAKUndoubtedly Adrian Fortescue is a fascinating figure, rather eccentric in some ways (see Aidan Nichols’ biography) – a biting critic of Pius X, e.g., whom he called “an Italian lunatic” – but it must be borne in mind that his liturgical scholarshi...

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