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Interview - Sandhya Raman and Suma Suresh on the layers of art forms that brought interdisciplinary Kintsugi to life...

Starting late 2025 and continuing well into 2026, Lata Pada's Canada-based Sampradaya Dance Creations toured with the production 'Kintsugi'. Kintsugi is a Japanese art that honours broken pottery by mending it with gol...

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Prism - Odra-Magadhi as Odissi: Myth or Fact? - Rahul Acharya

 Among the many claims surrounding the antiquity of Indian classical dance traditions, one of the most repeated assertions in modern Odissi discourse is that the dance form finds direct mention in the Nāṭyaśāstra under the term Odra-Māgadhī. This proposition, widely circulated particularly in post-independence scholarship, seeks to establish an uninterrupted continuity b...


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Article - The silent cry of the Gungroo - Mutation and monetization of classical dance - Dr. Lata Surendra
For generations, classical art was not merely performed; its sacredness was preserved as its strength. It lived as a sacred trust, passed from breath to breath, born of a quiet reverence for the unseen and the eternal. Today, that protective shield has shattered. Be it the lucrative choreographers or the masses who lap it all up, we are stretching the crazy urge inside in seekin...

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Article - From a museum artifact to a living tradition The revival of Pavakathakali in India - Vinod Gopalakrishnan


Dakshinachitra, founded as an institution of preservation, has carried a deep commitment to nurturing and sustaining India's diverse traditional Arts and crafts with a special sensitivity toward forms that survive at...

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Blend of experienced and aspiring dancers - Taalam: column by Leela Venkataraman

Milind Srivastava's Art Foundation, with World Dance Day round the corner, celebrated its own annual effort at the Habitat Centre, Delhi, featuring both experienced and aspiring talents. The curtain raiser was a short Modern Dance item conceived and choreographed by puppeteer Salim Zaidi, titled


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