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Music Technology Policy: Music Technology Policy | News from the Goolag Since 2006 ~ A survival guide to the creative apocalypse: We follow issues and opinion important to professional creators. Data is the new exposure.
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At what point does a statutory royalty administrator start looking less like a collective licensing entity and more like an unregistered investment fund or small bank?
That question is becoming impossible to avoid. Unless you’re reading the trades or going to industry conferences when you can avoid it just fine.
The MLC is not merely holding a little float...
As AI rattles markets, central banks and cybersecurity authorities, substitutional AI is clearly working its way into every aspect of the music business. The Copyright Royalty Board and our streaming mechanical royalty rates are no exception. We cannot just assume that we can go along and get along the way it’s “always” been done, particularly when we ar...
Trademark law has long accommodated nontraditional “sensory” marks—sound, scent, color, motion—when they function as source identifiers. Recent filings by Taylor Swift and related entities highlight both the promise and limits of this framework in the AI era. I would argue that sensory-mark doctrine is ill-suited to address AI systems that ingest and reproduce “personhood sig...
Readers will recall we previously featured the Capolongo class action against Spotify, which squarely raised the question whether Discovery Mode operates as a payola-like system dressed up as “promotion.” That case has now produced a ruling...