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“I think actors can really focus in on like a minute ahead of what they're saying and a minute behind of what they're saying. And what they need a director to do is sort of, now here's the hour long statement of of this thing.
So so you got to trust me that when I say like do it over here, you got to do it over here because ten minutes ago you did something that will b...
“So every day it was a real honest, quite transparent process. You looked in the bucket, you looked on the sum up and you knew what you have for the day and you got to take that home. I've had really good experiences with paid venues and really bad experiences and everything in between, but I just didn't have thousands of pounds to outlay this year. I wasn't going to do it. L...
“[After stand-up] I moved into advertising, I'm a creative director in advertising so I write for a living and stand-up has always been a huge interest and so I realised a few years back I have lots of books about stand-up but there wasn't one about UK stand-up certainly over the last 25 years and so I thought that maxim ‘write the book you want to read’”
This episode i...
“I went very hard on marketing and promotion and one thing is getting the actors to feel confident doing that too. You are going to feed off the atmosphere of having 50 people in that room on the night so let's give ourselves the best opportunity to have a high exciting atmosphere in that room”
This episode is with writer and director Elise Simond who is taking her pla...