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Jean-Baptiste Rousseaux: Kaveriot Korridor Thanks to the kindness of JJ colleague John White, I was recently made aware of a new development in the affairs of Angelo Mastronardi’s excellent GleAM label from Italy. The 2025 double-CD release More Than You Know, an extensive 1981 concert session in Genoa by tenor master Dexter Gordon, in the […]
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Hytta Trio: Vindespel Vindespel – Twining Tunes – is the debut of The Hytta Trio. The trio were formed in 2018, and explore Norwegian traditional music, searching for space to improvise. Anna Hytta plays Hardanger fiddle – strange that there’s no abbreviation in Jazz Journal’s style sheet. Jo Skaansar is on bass, while Ibsen Thorsrud’s […]
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This is the second Judith Owen live performance I’ve covered for Jazz Journal in slightly less than four months and I was, not unnaturally, curious to note what, if anything, differed, in what was on offer this second time. I was fairly confident that her excellent musicians, who provide sterling support and are known collectively […]
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Louis Stewart: Joyce Notes It’s been said a few times now – Ireland’s greatest writer meets her greatest jazz musician. Guitarist Louis Stewart’s suite, based on Joyce’s Ulysses, was premiered at Cork Jazz Festival in 1982 by an Irish-American octet, with readings from Dublin-born actor Eamon Morrissey. Stewart, like Livia Records founder Gerald Davis, were […]
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Five-Way Split: Modus Operandi According to trumpeter & flugelhornist Quentin Collins, this contemporary/hard bop quintet has no leader – hence the sharing of responsibilty reflected in the name. Its members are inspired by the classic bands of the 50s & 60s such as Horace Silver’s quintet and Art Blakey’s Jazz Messengers. Each member brings a […]
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