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At the hub of the immersive section at the Cannes Film Festival, among installations, headsets, and a constant flow of audiences moving through temporary worlds, the dialogue unfolds offstage. It is precisely in this informal space that the central issue facing the sector today emerges: on one hand, the evolution of immersive storytelling as a […]

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Playing in this year’s Proxima Competition, Indian filmmaker Yashasvi Juyal’s The Ink-Stained Hand and the Missing Thumb is a contemplative romance in a toll booth. Shahran Morshed speaks to Juyal about community, family, migration, ghosts, and the challenges of being a first-time filmmaker. SM: Where did the journey of The Ink-Stained Hand and the Missing […]

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“Fruit Gathering’s most striking contribution to queer cinema is that while it certainly isn’t cautious or tentative about including familiar queer elements, its interest goes beyond the specificity of navigating one’s feelings for a member of the same sex.” Theint is a new girl working at a Burmese garment factory, and San Kyi cannot help […]

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“If Against Nature ultimately becomes a profane, or, perhaps more fittingly, an all-too-human meditation on the religious experience of love, it is because love itself can never be experienced here without first being contaminated by our own capacity for wrongdoing.” “And there beyond the grave, we shall say that we have known suffering and tears, […]

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“A love story slowly transforms into a deep meditation on loss, existence, and the fragile traces we leave behind.” Time. How much do we really know or understand about it? Or, where does the thought of time even lead us? Perhaps, rather than being led somewhere, the essence lies in simply dwelling within the thought […]

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