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Six parchment leaves in a Brighton archive turned out to belong to a fifteenth-century copy of Nicholas Love's Mirror of the Blessed Life of Jesus Christ, now at Yale and signed by Henry VIII's enforcer Sir John Gage. Here is what the discovery shows about how books lose leaves, what a rebinding records, and how a fragment is matched to its parent volume.
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Thank you! Your support and the notes so many of you sent helped us build 0.9, now live at marbler.ibookbinding.com. Smoother and safer Combing keeps up with your finger, even on a heavily worked bath: the bath is worked out in the background. Your work is never lost. The bath is kept after every move. […]
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Marbler’s Workstation 0.8.20 is complete, and we’re looking for testers before moving to 0.9.0 and adding new features A few days ago we announced an app where you float ink on a virtual tray and comb it into patterns, and the paint moves the way it does on a real marbling bath. Marblers and testers […]
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Hello, We’ve been building something a little different from our usual work at the bench: Marbler’s Workstation, a marbling simulator. Stones, a gelgit, an ebru tulip and suminagashi rings, all on your phone or computer. Today it’s ready for its first testers. FOR MARBLERS Think of it as a sketchbook for your tray. Try a […]
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Jorge Lar of Prelo Prints returns to our live stream Join us live with Jorge Lar of Prelo Prints as we explore his remarkable project to recreate a page from the Biblia Pauperum. We’ll talk about the original medieval design, the process of translating it into a woodblock, the painstaking carving, and what it takes […]
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