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Why do our lively, experimental colour studies sometimes turn into cautious, conventional paintings? A Studio Musing about artistic freedom, the pressure to make a ‘proper’ painting, and recognising when we’ve already created something worth keeping.

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One small pastel colour study kept calling to me. So I took it further, staying with the original design and limited palette to see if I could develop a finished painting without losing what made the study work.

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What happens when you give yourself fewer choices? During a recent limited palette workshop at Dakota Art Pastels, four colourful studies presented me with an unexpected dilemma. The painting that excited me most wasn't the one I was about to choose. Here's what happened when I followed my passion instead.

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