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How to Pastel

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A quieter portrait than his famed Pompadour, Maurice-Quentin de La Tour’s pastel of Jean-Charles Garnier rewards close looking — revealing how small, deliberate choices create presence and personality.

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Portrait backgrounds can make or break a painting. In this guest post, Alain Picard shares four simple but powerful principles for creating backgrounds that truly support the portrait.

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An email arrives. Someone loves your work. Your heart leaps. But not all enquiries are created equal. In this Studio Musing, I unpack a scam message and explore how to tell the difference between flattery and genuine interest.

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What I thought would be a plein air painting trip turned into something quite different. Away from home, with fewer distractions and quieter demands, I found myself finally getting to the work I’d been wanting to do for a long time.

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