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Unnamed Footage Festival 2026 Announce Their First & Second Wave of Films
UNNAMED FOOTAGE FESTIVAL ANNOUNCES TWO WAVEs OF FILMS INCLUDING THE US PREMIERE OF THE DEVIL’S TEARDROP, WORLD PREMIERE OF LOOKY-LOO: PART II, BIG CITY PIZZA, AND SPECIAL EVENTS INCLUDING ARGATHER (2026) AND AN EVENING WITH DUTCH MARICH The Found Footage Horror and In-World-Camera Film Festival returns to San Francisco March 24-29, 2026, with an extended


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From Property to Power: The Evolution of Female Agency in Rape-Revenge Cinema – Part 3
Part 3 – Divine Vengeance In part 1 and part 2, by examining grindhouse classics Last House on the Left (1972), Thriller: A Cruel Picture (1973), and I Spit on Your Grave (1978), we traced the mortal evolution of the victim in the rape-revenge genre from a mere plot device for male heroism to a


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Dagon Films – New Extreme Cinema Label
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About a Place in the Kinki Region (2025) Film Review – Everything You Want from a Koji Shiraishi Film
When About a Place in the Kinki Region (2025) was first announced, I wasn’t able to discern that it was directed by Koji Shiraishi—the announcement came in the form of two poster reveals on my feed, with the description in all Japanese—but when I looked at the poster with the female character’s face on it,


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From Property to Power: The Evolution of Female Agency in Rape-Revenge Cinema – Part 2
Part Two: The Rise of the Female Avenger In the previous article of this series, I discussed how early rape-revenge films reflected the idea that sexual violence was a property crime first, with the family being owed a debt from the perpetrator, and second, that the victim’s fate was less important than the honor of


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