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Grand Old Movies's title: Grand Old Movies | Blogging about Hollywood's golden-age films

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“Imagine you’re on vacation,” says the anesthesiologist to me at the start of an anodyne, but embarrassingly intimate procedure about which I don’t care to elaborate, “imagine you’re in a place you want to visit, and you’re now there…”.    “I’m in Paris,” I think to myself, “and I’m strolling down the Champs-Élysées with Buster Keaton…”

So, in ca...

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Roundabouts

In his autobiography Charles Chaplin writes how, in his early days at Keystone, he taught himself film technique, learning that:  “Because economy of movement is important you don’t want an actor to walk any unnecessary distance ...

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Zohra Lampert, who plays the title character in the moody 1971 horror film Let’s Scare Jessica to Death, is not a beauty.  She’s tall, thin, a little clunky, and, seen in long shots, walks (and runs) like a gawky colt that hasn’t quite grown into its legs.  She’s not your typical Hollywood Heroine.  In closeups, though, I found Lampert’s face o...

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Dracula Sucks

I do recall, many years ago—around the time the first amoeba tried an experiment in cell division—seeing the actor John Carradine on The Dick Cavett Show, during which Cavett asked his guest:  Which of the actor’s (350+) films he wished he hadn’t done?  Carradine’s answer, accompanied, if memory serves, by a look of agonized embarrassment:  

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Mad, Bloody Love

So, The Living Dead Girl is…really something.  A 1982 French horror film, directed by Jean Rollin—an auteur with whom I’m not familiar but who I gather has a huge cult reputation—the film starts innocuously enough, with three men depositing tubs of chemical waste in an aristocratic family’s crypt, then proceeding to rob the well-to-do d...

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