Follow FUJILOVE MAGAZINE, filter it, and define how you want to receive the news (via Email, RSS, Telegram, WhatsApp etc.) https://follow.it/fujilove-magazine Wed, 22 Mar 2023 23:47:27 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswr1HlZJiHKvYZNaYRWadcX6 The 40mm lens is my favourite ‘standard’ focal length in 35mm film photography. For example, my 40mmF2 M-Rokkor on the Leica M7 is one of my top kits when it comes to street photography. However, the 40mm lens is an outlier focal length, hitting its peak popularity sometime in the mid-1970s. The 40mm equivalent in APS-C is 27mm – an uncommon and not-very-popular focal length. I’ve tested both versions of Fujifilm’s XF27mm lenses over the years. Although I’m reasonably happy with the optical performance, it’s not an inspiring lens to use. Fujifilm updated the lens recently with an aperture ring and weather-sealing but it’s the same optical formula, and the same slow and noisy autofocus mechanism. When TTArtisan offered to send me their own 27mmF2.8 lens in X Mount to review, I jumped at the chance to see if it could ‘compete’. Let’s start by going over the pros and cons of the TTArtisan lens. Pros $149 USD (vs Fujifilm’s $399 USD) compact and lightweight pancake design aperture control dial with A position metal construction, including metal mount, and decent build quality stepping motor for quick and quiet autofocus sharp lens in the centre at all apertures, sharp across the […]]]> Wed, 15 Mar 2023 11:00:35 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswr1HlZJiHKvYZNaYRWadcX6 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoTrnelohoJr6bel3Iu4GjH Back in December, I spent a few days down on Jeju Island with Laowa’s 19mmF2.8 lens and wrote extensively about why I believe working with a single focal length is so important for developing your photography. In this article, I want to play the devil’s advocate and explore reasons why a zoom lens can be a great tool to learn with as well. In order to keep things somewhat comparable, I also visited some of the same scenes and photographed them in a similar way with Fujifilm’s GF20-35mmF4 zoom for the GFX system. It was a wholly different experience and the resulting photographs should hopefully demonstrate where a zoom lens is beneficial to learning and also to workflow. Flexibility One of the benefits of zooms is their inherent flexibility. Having access to a variety of focal lengths with a simple twist of the zoom ring makes working quickly and getting a variety of images a breeze. Of course, this is great if you’re travelling and don’t want to carry a heavy bag full of primes or if you’re on a fast-moving editorial assignment and don’t have the time to switch lenses over the course of the shoot. But, one of […]]]> Fri, 10 Mar 2023 12:00:12 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoTrnelohoJr6bel3Iu4GjH https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswotmL0T0hMPYslTP0vptTFR Hello FujiLovers! Issue no. 84 of FujiLove Magazine has arrived with a whole fresh batch of wonderful articles for you to enjoy. Subscribers, head to the FujiLove Subscriber Area. If you are not a subscriber yet, make sure you join thousands of Fujifilm X photographers from around the globe and get access not only to monthly editions of FujiLove Magazine (includes our Gear Talk supplement), but also access to our FujiLove Lens Guides by Jonas Rask and Dylan Goldby, Office Hours video sessions with Rico Pfirstinger to get all your Fujifilm technical questions answered and more. Join us today >> Our cover contributor for this month is Ethan Barber, who is chatting to Stephanie Baxter in this month’s interview about how his love for architecture and New York City led to a career that now centres around capturing its magic through photo and video. He explains why he thinks New York holds a fond place in many people’s hearts and shares some tips for photographing the city. Take Kayo brings us his latest instalment of Take’s Corner, where he considers how the GFX system might be upgraded in light of the new 40MP APS-C sensor of the X-H2 and X-T5, […]]]> Tue, 07 Mar 2023 22:00:32 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswotmL0T0hMPYslTP0vptTFR https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoMqT8a0gw7zIMOI2eu70Rg It’s really quite staggering just how much social media has taken over so many aspects of so many of our lives in recent years, and despite the known and potential pitfalls, photographers still keep feeding these greedy beasts. Is it time for a well overdue Metaverse detox? It’s been a couple of years since I last touched on the fiery subject of social media, and particularly on that of social media and its impact on us as photographers and on photography as a whole. I guess that a lot has come and gone during that time; after all, in social media terms that’s a virtual millennium, and yet really and truly nothing much has changed much overall. Straight up front: I am no fan of social media and its impact on society as a whole, almost as much as I despair at those behind its seedy ways of operating and the blatant liberties they take, which are often taken with blinding small print and with seemingly no recompense, which could lead you to wonder just how exactly they manage to get away with certain things that do come out in the wash down the line, not to mention those that […]]]> Thu, 23 Feb 2023 10:00:28 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoMqT8a0gw7zIMOI2eu70Rg https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswp2ACM4J9v0S2hamfNIiY2W As I settle into the new Fujifilm X-T5 as my daily shooter, I’ve figured out the foremost advantage of having a 40MP sensor: cropping. I know many photographers only think about cropping as in ‘cropping into a photo’ while maintaining the same aspect ratio. Every video or article I’ve come across typically illustrates how you can crop one major focal length into the next one, like an 18mm image at 40MP into a 24mm image at 26MP. When the resolution difference is compared in this manner, the increase in megapixels doesn’t appear to be much of an advantage, does it? For myself, I rarely crop my images as a way to change my field of view. I enjoy the ‘width’ of my preferred 18mm focal length on my X Series lenses (75º angle of view). I’ve talked about this in many previous articles, but I use a variety of aspect ratios in my photography as a creative tool and the X-T5’s 40MP is a very useful feature to help me achieve this. My problem with modern digital photography is that the sensor is a fixed size and dimension. In the old film days, one film type could be used for […]]]> Tue, 21 Feb 2023 12:31:26 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswp2ACM4J9v0S2hamfNIiY2W https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqTrutAfSlHubG7Iy_4u0x9 The first camera I bought myself was an X100S. It was the summer of 2013, I was 22 and had moved into the inner city of Boston to attend graduate school and study Accountancy. The beginning of my 10-year obsession with the Fujifilm X Series was Valérie Jardin’s fault, really. Her blog was the first source of inspiration for what would become a decade-long pursuit of learning street photography and Fujifilm X Series cameras! In the decade that followed, I experimented with many different camera brands. Cameras and the art of photography became a near-obsession but were also an escape from the ruthless grind of working in public accounting as an auditor in the USA. After trialing different types of cameras for different target markets, the series I started with never stopped being a clear favorite above the rest. This is my story of the past 10 years and why I always come back to (or never truly leave) the Fujifilm X Series system. A decade with the Fujifilm X Series Hitting the streets (as Valerie Jardin coined in a video series/podcast) of Boston in 2013 with the X100S felt good. The camera felt good, it looked good and it […]]]> Tue, 14 Feb 2023 12:11:04 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqTrutAfSlHubG7Iy_4u0x9 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswp0IH9Nin7RC4IAmcWJ0TmB Vietnam: definitely one of my favourite places in the world to travel. The people are wonderfully open and kind, the food is phenomenal and the photographic opportunities are limitless. I’ve been several times now to various regions of the country. But, for this visit, I wanted to do something different: snake my way down the Ho Chi Minh Highway on a bicycle. Packing When considering this trip, I knew I’d need to keep luggage to a minimum in order to enjoy the ride and not weigh myself down. I had a change of clothes for when I got off the bike at night, some spares for the bike and, of course, my camera. The camera for this trip would be my X-T5. Until this journey, I’d really only used it for work and I wanted to experience the process of working with the 40 MP files after coming back from a two-week trip. I spoke not so long ago here about limiting yourself in terms of focal lengths and how that can benefit your photography. When photography is the secondary goal of a trip, this is even more important. Eliminating gear I wouldn’t use would also ensure it fit nicely […]]]> Thu, 09 Feb 2023 10:00:21 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswp0IH9Nin7RC4IAmcWJ0TmB https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqtooLOnZQMeAp41t9tiERU Hello FujiLovers! Issue no. 83 of FujiLove Magazine has arrived with a whole fresh batch of wonderful articles for you to enjoy. Subscribers, head to the FujiLove Subscriber Area. If you are not a subscriber yet, make sure you join thousands of Fujifilm X photographers from around the globe and get access not only to monthly editions of FujiLove Magazine (includes our Gear Talk supplement), but also access to our FujiLove Lens Guides by Jonas Rask, Office Hours video sessions with Rico Pfirstinger to get all your Fujifilm technical questions answered and more. Join us today >> Our cover contributor for this month is Mikko Kauppinen, who is chatting to Stephanie Baxter in this month’s interview about how he got started with portrait photography, as well as how getting in closer to his subjects has helped to hone his personal style. Take Kayo brings us his latest instalment of Take’s Corner, where he compares third-party lenses for the X Series compared to Fujifilm’s own offerings and considers the question: which is better? Meanwhile, Tom Hegen gives us an inside look into his SALT WORKS project, which has now been turned into a book that features his stunning aerial photos of […]]]> Tue, 07 Feb 2023 20:05:03 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqtooLOnZQMeAp41t9tiERU https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswro93bpFbGLjWhamfNIiY2W In my previous article, I wrote that the X-H2S was my pick for Fujifilm’s ‘Camera of the Year’ for 2022. It’s the most advanced X Series camera ever built and has taken the industry by storm with the new fifth-generation sensor and processor by utilising the stacked sensor technology. The X-H2S is also Fujifilm’s flagship camera and the most expensive X Series camera to date. However, the ‘best’ camera might not necessarily be the ‘right’ camera for everyone. Even though I know the X-H2S is the best fifth-generation camera from Fujifilm, it’s not the best camera for me. My personal pick is the latest X-T5 in silver and here are the reasons why. The main reason why I prefer the X-T5 over the X-H2S (and X-H2) is the camera design and layout. I admit the X-H series ergonomics is more comfortable and efficient, but I find the interface a bit stale for my taste. It feels like I’m shooting with a Sony or Canon mirrorless camera. I prefer the traditional film SLR top dials on my Fujifilm cameras, including the exposure compensation dial at my thumb. I also prefer the dedicated focus select dial vs a custom button on the […]]]> Thu, 26 Jan 2023 10:00:03 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswro93bpFbGLjWhamfNIiY2W https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswq5CnmUZC3vvs4HQhe4ZUzd It’s been 10 years since I shot my first bike races with a Fuxifilm X Series camera after a lifetime of using Canon. How have things changed in that time? Spring 2013 and I’d been the frustrated owner of an original X100 for several months ever since it first came out. At that time, I was busy shooting bike races all over Asia, and was using Canon EOS cameras, as I had done since the early 1990’s. As much as I was reliant on the sure-fire Canon system and its hefty EF lenses, I was looking for a lighter alternative, mostly to carry on a bike and for travel – which was also a major part of my work. However, without going point and shoot (which I did on occasion), there were no serious mirrorless option available back then, apart from the new Fujifilm X-Pro1. But having had such a rough time with the X100, I concluded that it wasn’t an option – at least not yet. Shortly after that, the X-E1 came around and I decided to give it a whirl, and in late 2013 I integrated it into my workflow, using it as a sidekick for shooting bike […]]]> Mon, 23 Jan 2023 11:17:17 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswq5CnmUZC3vvs4HQhe4ZUzd https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoe-RqGWcwvO2nhpmeYcemU Welcome to 2023, everyone! I hope you had a wonderful New Year and are ready to continue your photographic journeys over the coming year. Today, I’m going to share my thoughts on why it is important to work exclusively with a single focal length for long periods of time. Of course, there are so many benefits to working with a zoom lens or having a few nice primes at your disposal, but there’s also a freedom and creativity that comes with taking just a single focal length out to work with. This is actually one of the biggest joys for me about getting to test so much gear for FujilLove and my YouTube work; I have a great excuse to play with a single piece of gear for a long period of time and make use of things that I normally wouldn’t for my own work. When I’m paying the rent with my camera, I’m typically using lenses that I know well and focal lengths that will work for the types of pictures I promise to create for my clients. However, the freedom that comes with completely flipping that on its head is a great way to learn and grow as […]]]> Tue, 10 Jan 2023 10:00:11 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoe-RqGWcwvO2nhpmeYcemU https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswpiQxKk9ZZJcuQEmsPXZ5C9 Hello FujiLovers! Issue no. 82 of FujiLove Magazine has arrived with a whole fresh batch of wonderful articles for you to enjoy. Subscribers, head to the FujiLove Subscriber Area. If you are not a subscriber yet, make sure you join thousands of Fujifilm X photographers from around the globe and get access not only to monthly editions of FujiLove Magazine (includes our Gear Talk supplement), but also access to our FujiLove Lens Guides by Jonas Rask and Dylan Goldby, Office Hours video sessions with Rico Pfirstinger to get all your Fujifilm technical questions answered and more. Join us today >> Our cover contributor for this month is Emily Endean, who brings us this month’s photo essay, which gives us a glimpse into a personal project that she’s been working on since the first lockdown of 2020. ‘People of the Ocean’ is a series of portraits of people who are united by a common passion: the sea. Through photographing swimmers, surfers, paddle-boarders and more, Emily has been able to rediscover her own love for the ocean as well as make important connections with like-minded people. Take Kayo brings us his latest instalment of Take’s Corner, taking a look at the X-T5 […]]]> Mon, 09 Jan 2023 09:45:46 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswpiQxKk9ZZJcuQEmsPXZ5C9 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoc4MVFSDBhvQBC78OgjhDM Now that we’ve fast-forwarded ourselves into the new year, it’s time to look back at 2022, the ten-year anniversary of the Fujifilm X Mount. Ten years ago the system started off with the original X-Pro1 and XF35mmF1.4 R, and 2022 ended with the release of the X-T5 and the XF30mmF2.8 R LM WR Macro lens. Since I’ve had the opportunity to review all the new cameras and lenses launched in 2022, some might wonder which piece of gear I would pick as ‘the best’ of 2022. I can definitely choose which camera or lens I would consider as the most significant release, but each photographer’s ‘best’ gear is based on their own unique needs and/or demands. However, when it comes down to the three camera bodies released last year, I can say with confidence that the X-H2S is my pick for ‘Camera of the Year’ for the Fujifilm X Series. What makes the X-H2S such a significant camera for Fujifilm? Since the hardware between the X-H2 and X-H2S is exactly the same except for the sensor, why would I choose the X-H2S over the 40MP X-H2? Most importantly, the X-H2S has a stacked sensor, the first for Fujifilm, and the […]]]> Fri, 06 Jan 2023 11:34:42 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoc4MVFSDBhvQBC78OgjhDM https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswozL3ODsoF5Q1yOSYGFl6uu The 45mm focal length had its heyday in the early days of 35mm photography. The popular Canonet QL17 and Minolta Hi-Matic 7S both had fast 45mm lenses, and the MD Rokkor 45mmF2 was the standard kit lens for the Minolta X series of SLR cameras for many years. However, this focal length fell out of fashion when cameras transitioned from manual to autofocus in the mid-1980s. As optical technologies advanced, 35mm became the ‘standard’ wide angle, while 50mm became the ‘normal’ focal length. I grew up with my father’s Minolta XG-1 and 45mmF2 lens, and I own the Minolta CLE with the 40mm M-Rokkor, so I love this middle focal length between wide and normal. When Fujifilm announced the new XF30mmF2.8 R LM WR Macro, I was intrigued, not because it was a new macro lens, but the unusual 45mm equivalent (in 35mm) focal length choice. When I began my review of the new XF30mm lens, I never even thought of it as a macro lens. It would be my everyday walk-around lens, just like the Minolta lenses I’ve been shooting for decades. Having the ability to capture 1:1 macro images was just a bonus. Much like my Minolta A-Mount […]]]> Sat, 24 Dec 2022 14:00:26 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswozL3ODsoF5Q1yOSYGFl6uu https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoELkiSjw6szgO5yOwvVe_2 Infrared photography can seem like a technical minefield when you delve beneath the magical light of the great unseen. Here are my experiences of jumping in feet first. No doubt you’ve all seen infrared photos around and some of you may have been stopped in your thumb-flipping tracks for a moment or two by them, while others may have taken an instant Marmite-like distaste to these faux colours or negative-like black and white images, almost as if it’s an impure betrayal of the art of photography. Strangely enough, you may even have come across YouTube videos of newly converted infrared shooters talking about IR as a new form of photography, which, I’m sure, would have the likes of Ansel Adams and those who dipped into the other light way before him chuckling in their graves. Infrared photography has been around almost since the dawn of photography and was not only used to create many classic landscape images by Adams himself, but also in forensics and even in the movie industry (both on film and digitally). It’s more a case of certain IR looks becoming popular again over being a new thing, partly thanks to the retro-reborn ‘filmester’ sanctification of the […]]]> Fri, 23 Dec 2022 10:22:57 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswoELkiSjw6szgO5yOwvVe_2 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswrKZ4oSj4R6uK7VFky8BpXO 2022 is finally drawing to a close and I hope that all our readers are staying healthy and well. As with last year, I have decided to wrap up 2022 by sharing a series of images I have made this year. To shake things up a little, I’ll break the year up into four different cameras that I have used and share what it was like to work with each one. X100V The X100V is still one of my most-used cameras. When I’m at work, I’ve either got my X-T5s or my GFX but when I’m not, the X100V is almost always with me. In this case, I was walking home from a session with a client and the snow began to fall. Simply because of its size and undemanding nature, I had the X100V in my jacket pocket that day, as usual. Rather than head straight for the bus and go home to sit indoors, I felt inspired to simply wander the streets and see what became of my day. That is the power of the X100V for me. It is such a simple, focused tool that says, “Make some pictures!” every time I pick it up. Not only […]]]> Fri, 09 Dec 2022 13:21:52 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswrKZ4oSj4R6uK7VFky8BpXO https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqNaBO-qkL79PdczOo_8W9B Hello FujiLovers! Issue no. 81 of FujiLove Magazine has arrived with a whole fresh batch of wonderful articles for you to enjoy. Subscribers, head to the FujiLove Subscriber Area. If you are not a subscriber yet, make sure you join thousands of Fujifilm X photographers from around the globe and get access not only to monthly editions of FujiLove Magazine (includes our Gear Talk supplement), but also access to our FujiLove Lens Guides by Jonas Rask, Office Hours video sessions with Rico Pfirstinger to get all your Fujifilm technical questions answered and more. Join us today >> Our cover contributor for this month is Evan Lewis, who provides us with a review of the Godox Lux Junior flash, a budget conscious option for those wanting to work with flash alongside their Fujifilm gear. He walks us through how the flash performed alongside his X-T30 and XF18mmF2 as part of his wedding photography setup.  Take Kayo brings us his latest instalment of Take’s Corner, reflecting on the past year in the Fujifilm world, taking a look at all the new releases and leaps forward that Fujifilm have made in 2022. Meanwhile, Juan Pablo Vargas brings us a photo essay entitled ‘An […]]]> Thu, 08 Dec 2022 20:29:30 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqNaBO-qkL79PdczOo_8W9B https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswr3M7Gsrp0qa27fhEn5oRuR Fujifilm launched the controversial X-H1 in the spring of 2018. It was their first attempt at a hybrid video and stills camera and it was partially successful. It was the first X Series camera with IBIS (In-Body Image Stabilization), but the performance was sluggish due to the two-year-old third-generation sensor + processor combination from the X-Pro2. In the fall of the same year, Fujifilm announced the X-T3 with their latest fourth-generation sensor and processor…but no IBIS. In the spring of 2020, Fujifilm finally announced a mid-cycle upgrade to the X-T series and called it the X-T4, presumably an updated X-T3 with IBIS. However, Fujifilm marketed and engineered the X-T4 as their new flagship catering to both stills photographers and videographers, much like the X-H1. Because of this, the X-T4 had tons of video-centric upgrades, including a fully articulating screen. However, for many X Series photographers, the iconic three-way tilt articulating screen was the preferred style. How long would it be before Fujifilm built an X-T3-styled body with IBIS? The wait is finally over. Introducing the new Fujifilm X-T5. Fujifilm’s new fifth-generation photo-centric X Series camera is basically a fusion of the X-T3 with the X-T4 but with the latest and […]]]> Tue, 06 Dec 2022 12:23:31 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswr3M7Gsrp0qa27fhEn5oRuR https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqR1xC26BUJdAC0qH-r7xlT With the X-T5 just launched are the older X-T models getting left behind in the starting blocks of sports photography? Mirrorless cameras have come a heck of a long way since the X-T1 first came around in early 2014, and yet as a working travel and action sports photographer this relative old timer (X-T1) still finds a coveted place as a backup camera in my backpack. This is despite it being a comparative slug when compared to the newer Fujifilm X Series cameras, and of course it also flounders in the dust behind the ever-evolving opposition, which have forged ahead in the last couple of years. During the past 2.5 years of being grounded in Asia, I have captured a lot of images, mostly of them on my main workhorse– a now comparatively ‘middle-aged’ X-T2, although they have not been of the action or sports kind. This is, in my opinion, the most demanding and testing genre for any camera and one in which I have always found that Fujis have always dragged in. Back to work So, as the barriers to international travel lifted for me this October, I was back in the sky and heading to Turkey as […]]]> Thu, 24 Nov 2022 18:35:09 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswqR1xC26BUJdAC0qH-r7xlT https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswq8AC3LcINt8Uoy9CZgXDJO In early 2022 SIGMA Corporation Japan announced their prime lens trio (16mm, 30mm, 56mm) for Fujifilm X Mount, with more lenses to come in the near future. That future is now as SIGMA announces the popular 18-50mm F2.8 DC DN Contemporary now available for the X Mount. Initially launched last fall in both Sony E-Mount and Leica L-Mount, releasing this fast standard zoom lens in Fujifilm X Mount will surely find great success amongst Fujilovers wanting an alternative to the very capable (but ageing) XF18-55mmF2.8 R OIS. I was given a production copy for review last week. These are my initial thoughts on this lens. Let’s start with the specifications. Sigma 18-50mm F2.8 DC DN | Contemporary 27-75mm zoom range in 35mm equivalent format constant f/2.8 aperture from f/2.8-f/22 with 7 rounded diaphragm blades 13 elements in 10 groups with 3 aspherical and 1 SLD lens elements stepping motor for autofocus Ø61.6mm x 76.8mm 55mm front filter thread 285g / 10.1 oz brass bayonet mount with dust and splash-resistant structure 12.1cm min focus distance (to sensor plane) at 18mm for 1:2.8 magnification ratio 30cm min focus distance (to sensor plane) at 50mm for 1:5 magnification ratio AF algorithms made specifically […]]]> Mon, 14 Nov 2022 18:00:02 +0200 https://api.follow.it/track-rss-story-click/v3/aOhdMQZdswq8AC3LcINt8Uoy9CZgXDJO