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Imagine a version of St. Vincent that retains Annie Clark’s gift for melody, tightly controlled theatrical vocals, and taste for sleek aesthetics, but instead of a guitar virtuoso, it’s an extremely gifted bassist. A bassist who is clearly well ac...
This is a new single out on DFA, which is a good thing, as it would be extremely weird if any other label released it. Like, in genre terms, this is a DFA song. Everything about this song is dialed in precisely to “DFA.” You like ...
I think that even if you heard this not knowing Olof Dreijer was one half of The Knife, you’d still intuit that he had something to do with it, even if just in an “obvious influence” sort of way. It’s mostly in the tonal palett...
In the Dune mythos, “fear is the mind-killer.” But what kills fear? ISTA have an answer: “love is the fear crusher.” “Crusher” is sunny and unapologetically corny in its messaging, so much so that I think it loops around to non-corny. The sound is b...
There are moments in “Screwdark” that sound like three DJ Shadows DJing at each other like the Spider-Man meme, or someone trying to Zaireeka the entire Mo Wax catalog. It’s a loud and cluttered sound, but the style is bold and the groove is ...