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Ah, a new year. What a time! Saying goodbye to 2025 and its respective Chippendales wall calendar, saying hello to 2026 and its respective Chippendales wall calendar. It's a time for promises and hope (I know things are hellish out there, just go with it) as we refresh and reflect. I've been doing a lot of reflecting since the ol'...uh, ball dropped and during my reflectin' t...


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Boy oh boy, you’d think that it’d be some kind of prerequisite to see every notable vintage slasher movie that centers around a specific date or holiday—you know, the most stereotypical kind of slasher movie—if, say, one wanted to start a blog about slasher movies or write/draw a comic about slasher movies or go around telling everyone they encounter about how much they love ...


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a few things!

While I won't be able to return to regular posting 'round here until next month, there are a few things that will maybe tide you over until then! Or at least this post about those few things will occupy you for the next ~14 seconds, which is better than zero seconds. Well, I guess that depends on what's actually happening during those seconds, no? I can think of a few things ...


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pressing pause

Hi everyone! Just a heads up, there are family matters I need to attend to (yes, that rascally Urkel has done it again!) that necessitate my pressing pause on SHOCKtober here at the blog and on the podcast for the immediate future. Very sorry and hope to be back here (and at the pod) before too long. Thanks for understanding.


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By 1987, the slasher movie heyday was dunzo and the subgenre was on its last legs--legs that would prove weirder and often more interesting than the formulaic flicks that put the glory in the glory days. Case in point: American Gothic, a wacked-out joyride that's got a real heart of darkness beneath its gingham...uh, finery. 

Cynthia (Sarah Torgov) is releas...


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