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Site title: Film International
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By Thomas M. Puhr.
Corbijn and company have crafted an engaging, surprisingly funny examination of how fiction allows you to experience the life or death (or sex, for that matter) you think you deserve.”
Tom Ripley has become so ingrained in the cultural consciousness that even someone who has never read Patricia Highsmith’s 1955 novel ...
A Book Review by Ali Moosavi.
Cannot be classified as, nor does it claim to be, a biography of Alfred Hitchcock [but] Hitchcock: The Man, The Myths, The Legacy is essential reading to obtain a balanced view of this iconic director.”
Alfred Hitchcok and Stanley Kubrick are perhaps the two directors about whom most books on filmma...
By Gary D. Rhodes.
Peter Lorre’s flair for black comedy shines brightly, like a harvest moon casting dark shadows on All Hallow’s Eve…. Lorre lives, even in death.”
What a wonderfully paradoxical title: The Comedy of Terrors (1963), one of Peter Lorre’s last films, and the very last to be released before his death on March 23, ...
By Thomas M. Puhr.
It would be all-too-easy to criticize Wilson for both his scattershot approach and seeming off-the-cuff attitude… but a mandala-like design ties everything into a cohesive whole.”
Dank water floods a gym locker room. A dog pukes from the window of a speeding car. A self-driving delivery robot carefully steers around a...
By Thomas Gladysz.
For decades, it’s been said G. W. Pabst cast Louise Brooks in Pandora’s Box after having seen her in A Girl in Every Port. It’s an assertion repeated so often it has become fact, part of the legend which surrounds not only the acclaimed German film, but also Brooks herself….”
On first glance, the asse...