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How To Make A Killing – The BRWC Review. By Oscar Aitchison. Less “eat the rich” more dipping them in a condiment, this blunt and bland copy is paint by numbers cinema. When the first trailer for John Patton Ford’s sophomore feature How to Make a Killing dropped there was a distinct feeling of déjà
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Oh, how the mighty have fallen. Marred in controversy following the ludicrous decision to fire star Melissa Barrera, the seventh installment of the long-running Scream franchise already fosters a bad taste in one’s mouth before the film even begins. The subsequent exits of director Christopher Landon and Scream (2022) and Scream VI star Jenna Ort...
Nisay (Sopheanith Thong) returns home to Phnom Penh, Cambodia, after the death of her father. The years away have changed her, as she went from struggling actress in her homeland to a new life in New York City. But returning to Cambodia is more than burying her father; it’s about reuniting with her old flame,
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Zere is a pop musician with an activist soul. Not uncommon in the world of pop music, especially in the 21st century. Yet Zere is from Kyrgyzstan, a country where women’s rights remain deeply contested. Director Leigh Iacobucci chronicles Zere’s musical journey despite backlash in A Free Daughter of Free Kyrgyzstan. Premiering at the Slamdance
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Time Helmet is the sort of sci‑fi comedy that feels like it’s been beamed in from a parallel universe where VHS never died and imagination was still the most valuable special effect in the room. It’s scrappy, colourful, proudly weird, and absolutely buzzing with the kind of handmade charm that defined the genre’s golden age.
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