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The director you might remember from Old Henry (2021) and one of my favorites, Greedy People (2024), Potsy Ponciroli, has a film with a cinematography so sterile it reminds you of Apple TV ads, the magnificent charisma of Alan Ritchson, and the wonderful acting of Shailene Woodley, but with less than a page’s worth of
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The Turtle is a tender, late‑night portrait of a couple navigating the fragile space between closeness and emotional drift. In under ten minutes, the film captures how silence, longing, and unspoken tension can shape the rhythm of a relationship. Late one evening, Barbara reaches out for connection while Tony remains absorbed in his studies. What
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Spider-Man: Brand New Day questions what it truly means to be a superhero—exploring sacrifice, responsibility, and what a hero represents in the eyes of the public. But more than anything, it felt like it was trying to accomplish what James Gunn attempted with Superman last year but never quite managed. Gunn wanted to create a
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New Queer Cinema’s one of the most important figures and someone who has signed many significant works in this field in the past, Gregg Araki is returning after a twelve-year break with I Want Your Sex, advising us that we need to be more open about sex. Frankly, it really surprised me that a director
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A fresh spin on a familiar genre is completely let down by its messy, ludicrous and fatally cringey script. Coming of age stories and stories set at summer camp are already oversaturated to say the least. Troublesome teens hate camp! They hate rules and they certainly won’t bend their rebellious morals to suit the people
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