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Blumhouse Horror shoots another terrifying film in Ireland, so our in-house horror expert takes a look.
There’s a strain of horror that tackles grief with nuance, addressing it with tasteful, solemn allegory. But grief is messy. Loud. Irrational. It has teeth, and sometimes bites. Lee Cronin’s The Mummy understands this.
This isn’t ...
What happens when an opportunistic criminal is taken in by a sweet old lady? This is the premise explored in Sweet Delusion, a short film deftly directed by David Prendeville.
A psychological drama funded by both Kerry County Council and the Arts Council, the plot follows ruthless criminal Alison (Elva Trill), who is on the run after committ...
In this episode of the Film Ireland podcast, Gemma Creagh catches up with writer/director David Gleeson ahead of the release of his semi-autobiographical feature Once Upon a Time in a Cinema. Growing up in a family-run cinema, he was immersed in the magic of the big screen...an influence that continues to shape his work today. He talks about his unusual start in the ...
With a career spanning nearly four decades, Alan Gilsenan has built a singular body of work across film and theatre, directing dramas and documentaries marked by curiosity and a deep understanding of humanity. Now, the Irish Film Institute is hosting a selective retrospective of his work, giving audiences an opportunity to revisit a richly varied oeuvre that moves between inv...
On Easter Sunday last year, the screen industry suffered a great loss with the passing of filmmaker Martha O’Neill.
Two films she produced, dance documentary Breakin’ Brothers