ELEPHANT

Editor-in-Chief Tschabalala Self and Elephant Magazine are proud to present Darold Brown, also known as Ferg. As born and bred NYC millennials Darold Brown and I share many cultural and visual references. Brown is known to many for his contributions in the music industry but few are aware of his long standing accomplishments in art

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Elephant are pleased to announce their partnership with Showrunner, the app offering a comprehensive guide to art in New York and Los Angeles. Founded by an unlikely mix of entrepreneurs whose backgrounds range from data-science to art advising, Showrunner boasts not only an exhaustive list of art happenings across both cultural capitals, but also a

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The Scoletta Battioro e Tiraoro di Venezia, a deconstructed church from the early seventeenth century, makes a fitting location for Arch Hades Return | Ritorno, an exhibition grappling with the meaning of life and the inevitability of death, an ambitious premise which Hades meets with a surprisingly succinct thesis on responsibility and self-actualisation. Greeting visitors

The artist speaks with Alma Feigis about abandoned objects and their imagined pasts, the guiding hand of the women in her family, and the unresolved tension between labour and pleasure in the act of making. I have never been more curious about an artist’s studio than I was about C. Mae Bloom’s. To enter her

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Vittoria Benzine, the magazine’s resident psychic, returns to read the art world’s cards for the hot months ahead. I believe a dozen concurrent, unannounced dance parties in strategically-placed gas station parking lots across America would do a lot for the nation. My proposed score has always been Stevie Wonder’s Sir Duke, a song I loved

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