Here is a typical scene from Laila Pakalniņa’s 2024 documentary Termini, a poetic meditation on end stations and bus terminals: the camera tracks a bus as it arrives at its final destination. Once the bus comes to a stop, the camera departs, panning left to contemplate a forest landscape with a construction-site toilet nestled amongst the trees. We hear the rumble of...
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Site title: East European Film Bulletin