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The phrase “tour de force” is overused, but it is an apt description of Jacob Ming-Trent’s performance in “How Shakespeare Saved My Life.” His autobiographical solo performance showcases his striking passion for acting, for comedy, for Shakespeare, and his marvelous talent for connecting with audiences.
In Berkeley Rep’s 95-minute world premiere, Ming-Trent reveals ...
The 32nd running of the South by Southwest Film Festival in Austin, Texas recently announced its 2026 line-up of world premieres, gently used festival favorites, shorts, TV pilots, and more, leading to the annual task of sorting through all the viewing options via Culture Vulture’s foolproof, scientifically-tested three-point sorting system, starting with the first and most i...
Liss Fain’s End Point and Open Time are dances about space—exterior, interior, personal, public—and the relationships between them: between dancers, dancers and audience, audience and dancers, and audience with audience. Few site-specific dances or dance installations have managed audience inclusion with such grace, making viewers a significant but unobtrusi...
Alas, our youth was what we made it,
Something to fritter and to burn,
When hourly we ourselves betrayed it,
And it deceived us in return;
When our sublimest aspiration,
And all our fresh imagination,
Swiftly decayed beyond recall
Like folia...
The power of the pen takes on new meaning when a letter written as an act of revenge on an unfaithful husband traps three generations on a 40-year rollercoaster ride of toxic emotions in the world premiere of the drama “Louisa Gillis,” on stage at North Coast Repertory Theatre.
Louisa inhabits the story, but we never meet her. All we know is she came from Old Money...