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Interview by Joy Manning
A CONVERSATION WITH ELLEN PRENTISS CAMPBELL, AUTHOR OF VANISHING POINT (Apprentice House Press)

In Vanishing Point, Ellen Prentiss Campbell reconstructs t...


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A Prose Craft Essay by Jillian Schedneck WHAT WE CHASE AND WHAT STAYS: On Running After Stories, and Standing Still

When I moved to Abu Dhabi and then to Dubai in my mid-twenties, I thought I needed to seek out as many experiences as possible to justify writing about my time in both places. From the obligatory to the bizarre, the wild to the intimate, I sought invitations an...


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A Prose Craft Essay by Phil Wetjen
HAIKU PRACTICE FOR PROSE WRITERS

A few months back, I decided to create a haiku journal. I’m a prose writer, so I did it not so much because I wanted to write great haiku poems themselves (though one can always hope), but to enhance my abilities in word selection.

About three years ago, I retired after a ...


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A Writing Tip by Barbara Daniels
REVISE ONE STEP AT A TIME

Rewriting a story can be even more interesting and gratifying than writing a first draft. Adding a plot strand, changing the point of view, or quickening the pace motivates readers to stick with your story. Improving word choice and altering backstory, scenes, and summaries make your work more vivid and memorable....


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Interview by Corrine Zahra
A CONVERSATION WITH ALDEN JONES, AUTHOR OF EDGE OF THE WORLD: AN ANTHOLOGY OF QUEER TRAVEL WRITING (Blair

Alden Jones’ queer travel anthology is the first of its kind. Edge of the World comprises stories f...


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