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Marnie Goodfriend
THE PERMISSION TO FORGET WHEN WRITING THROUGH PERSONAL TRAUMA
A few years ago, I visited Homosassa, Florida, after my mother’s death. She disappeared from my life when I was 12, so I didn’t know much about the life ...
Nonfiction by Maddie Ballard, reviewed by Ellen Prentiss Campbell
PATCHWORK: A SEWIST’S DIARY (Tin House)
Maddie Ballard’s debut, the memoir style="font-weight:...
My first poem was about shooting stars. I was eight and inspired by a notebook with an illustration of a star flying across the pink-lined pages. I fingered the arch that signified the star’s movement across the sky over and over until...
Tim Weed
UNLOCK NEW ENERGY WITH MULTIPLE POINTS OF VIEW
Point of view is one of the most important choices a novelist makes, yet many writers don’t give it the attention it deserves. The wrong choice can limit a story; the right one ...
Interview by Autumn Konopka
YOU CAN ONLY BE ONE PERSON:
A Conversation About Vulnerability vs. Pseudonyms with Memoirist Nicole Dubois
Nicole DuBois considered herself “the quintessential twenty-f...
